Well, hello there, kind folks. If you’re visiting this blog of mine, I presume that you have a certain interest in the cinema. As for me, even since my early childhood, I have had a deep love of everything related to movies and television. As far as I can remember, I have been more at ease in front of a screen than in the yard, outside, playing. It is a great way to travel, though other people’s stories, without having to foot any kind of steep bill. Over the years, I feel that movie-watching has even fuelled my own creativity.

All that being said, I welcome you in my Cinephile’s Nest. I hope you enjoy it here, feel free to come back at any time. Here you will find reviews of current movies and older ones. TV shows also. Some classics that have remained some of my favourites, some that have disappointed me. I will use a very basic star (*) system to grade them from 1 to 5 (5 being sliced bread level). Remember, these are just my tastes. I will try to explain in each review what I liked about these particular movies, without giving spoilers.

Il y aura aussi des critiques en français pour les films francophones, car j'aime également le cinéma dans ma langue maternelle. Avant d'apprendre l'anglais, plus jeune, je louais des tonnes de films traduits en français, surtout ceux de Bud Spencer et Terrence Hill. Ma mère a eu le choc de sa vie lorsqu'un jour, dans la boîte d'un de ces films, Deep Throat avait malencontreusement inséré. Une expérience formatrice pour le jeune cinéphile que je suis.

Bienvenue à tous, amusez-vous bien.

I welcome you all here, enjoy yourself.

Friday, October 18, 2019

Double Indemnity (1944)


Genre: Drama / Film Noir
Directed by: Billy Wilder
Cast: Fred MacMurray, Barbara Stanwyck, Edward G. Robinson
Running Time: 107 minutes



Insurance salesman Walter Neff returns to his LA office late one night, sweaty and visibly injured by a gunshot wound, and he starts dictating his confession to a murder into a Dictaphone. He tells the story of how he was charmed and convinced by housewife Phyllis Dietrichson to help her kill her husband after contracting an accident insurance on his life.

This film is considered as one of the first movies of the film noir genre. It starts and ends in the present, and most of the story is told through flashbacks, with the main protagonist serving as narrator. By today’s standards, the tone might seem over the top, but this remains a masterpiece of cinema and film noir. The acting is impeccable for its time and the storytelling keeps you hooked all the way through.
Rating: ««««

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